Dancing Dead

About Dancing Dead

For operators, that predictability is the point. The approach provides ready-made content for holiday campaigns and year-round themed promotions.

Welcome to Octoberfest isn’t a standalone idea. It’s the newest addition to a defined sub-series, joining Beersburg Fest Hold and Win and Lucky Fest Hold and Win in the studio’s line of Oktoberfest-inspired slots.

That repetition matters. It shows 1spin4win building recognizable, reusable theme families it can refresh annually, which gives operators a familiar hook to slot into the same promotional window each September and October.

About Dancing Dead

Nobody is predicting the end of gambling. The market is still growing. Good operators are still making money. New products are emerging.

But what has changed is what shareholders want those companies to prove – and the price they are willing to pay for that proof.

Fantini points to land-based examples like Red Rock Resorts and Monarch Casino as companies that can still attract capital because they offer sensible growth and strong management. That is a telling comparison with the industry’s recent past.

What is Dancing Dead?

The supplier’s total B2B revenue increased 14% YoY to €394.8 million, while adjusted EBITDA
increased 75% to €128.1 million.

The only market to report a loss for B2B during the period was the UK, down 8% to €59 million. Playtech said the market was impacted by “certain customer-specific changes and increased Remote Gaming Duty”.

Europe, excluding the UK, grew 2%. Overall, regulated revenue for B2B accounted for 83% of overall revenue across the segment, marking 21% growth, compared to unregulated.